Final Destination: Bloodlines has set another impressive record for the horror franchise.
The movie marks the sixth chapter in the series, and was released in cinemas only two weeks ago.
Now, fresh off landing the best debut of the franchise and topping the box office, Bloodlines has officially become the highest-grossing Final Destination movie.
The film has taken over $190.9 million worldwide so far (via The Numbers), surpassing the gross of previous title-holder The Final Destination, which took $187.3 million in 2009.
Bloodlines' US total of $99 million so far also surpasses The Final Destination's $66.4 million.
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The latest film focuses on character Stefani Reyes (Kaitlyn Santa Juana), a college student who attempts to break a longstanding cycle of deaths that began with her grandmother in the 1960s.
The movie has also proved the best-rated movie of the franchise critically, sitting at an impressive 92% fresh score on Rotten Tomatoes.
Digital Spy said in our four-star review that the sequel "crucially has the spirit of the series and its own dark heart in the right place".
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"It's evident with the deaths as well as its treatment of the late, great Tony Todd whose beautifully-judged final appearance in the series will provoke tears," we added.
"Ultimately for long-running fans or brand-new ones, Final Destination: Bloodlines proves there's plenty of life left in this series."
Meanwhile, Final Destination producer Craig Perry recently confirmed that the franchise will never explain why the central horrific visions occur.
"I would much rather have it be a mystery so that you never know whether you are capable or whether it may happen to you," he told CinemaBlend.
Final Destination: Bloodlines is out now in cinemas.
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Sam is a freelance reporter and sub-editor who has a particular interest in movies, TV and music. After completing a journalism Masters at City University, London, Sam joined Digital Spy as a reporter, and has also freelanced for publications such as NME and Screen International. Sam, who also has a degree in Film, can wax lyrical about everything from Lord of the Rings to Love Is Blind, and is equally in his element crossing every 't' and dotting every 'i' as a sub-editor.
