Jurassic Park fans have only a few weeks left for their umpteenth rewatch before Netflix takes the cult movie off its catalogue.
Dino aficionados in the UK and Ireland will be able to catch the film on streaming until April 15 — that's when Netflix removes the Steven Spielberg classic, three months after it was added back in January.
But the first chapter in the prolific franchise won't be the only Jurassic film leaving in April.
Jurassic World and Jurassic World: Fallen Kingdom are also being removed from the streamer in a handful of weeks after being added at the same time as Jurassic Park.
A rewatch of the entire saga may be in order before the brand new Jurassic World movie comes to cinemas later in the year. The upcoming fourth film in the World sequels, Jurassic World Rebirth is set five years after the events of Jurassic World Dominion.
Related: Best film and TV tours for 2025
What to Read Next
As the earth's climate has proven inhospitable for dinosaurs, the three biggest creatures surviving in isolated equatorial environments may hold the key to a miraculous drug benefitting humankind.
The film stars Scarlett Johansson as covert ops expert Zora Bennett, hired to lead the team extracting the DNA from the three dino species.
Related: New Jurassic World movie compared to Steven Spielberg classic Jaws
Bridgerton's Jonathan Bailey is set to play palaeontologist Dr Henry Loomis, with Mahershala Ali, Manuel Garcia-Rulfo, Rupert Friend, Luna Blaise, David Iacono and Gareth Edwards rounding out the cast in supporting roles.
Jurassic World star Chris Pratt previously teased a possible return to Rebirth as Owen Grady, remaining ambiguous about an official comeback.
"Maybe I return. Maybe I don't," he said last year. "You'll just have to tune in to find out."
Jurassic World Rebirth is released in cinemas on July 2.
Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
