Your next "stylishly creepy" binge watch with a supernatural twist is now available to stream in the UK.

All six episodes of French thriller Promethea are now streaming on Channel 4 to get your weekend watch sorted.

The series hinges on a car accident and a mystery for the titular protagonist, a teenage girl played by Fantine Harduin.

She's hit by a car driven by the Lassets – headteacher Caroline (Marie-Josée Croze) and doctor Charles (Thomas Jouannet) – who are puzzled to find the girl completely naked and unharmed.

Confused and with no memory of who she is, the only thing she remembers is a name that apparently means nothing to her: Promethea.

promethea
Channel 4

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A consuming narrative, with The Guardian review pointing out how the French protagonists "look so much better than any English person has ever looked".

Elsewhere on Channel 4, Canadian spy series Classified is also streaming, ready to fill the Black Doves-shaped hole in your heart.

The double-crossing spy thriller follows married spies Rachel (Mélissa Désormeaux-Poulin) and Émile (Patrick Labbé) as they're called to investigate a fatal shooting near the US consulate in Montreal.

promethea
Channel 4

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Their boss Adrien McKenna (Andreas Apergis) thinks there's a CIA mole in their agency, the fictional Secret Services of Canada (SSC), and tasks Émile to keep an eye on Rachel.

"As internal trust erodes, the couple must navigate conflicting loyalties and increasing danger," the synopsis reads.

"Their pursuit of the truth places them at the centre of an international espionage conflict, where personal and national interests collide."

The series aired two seasons in Canada and Australia, though the second instalment isn't currently available in the UK.

Promethea and Classified is streaming on Channel 4.


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Headshot of Stefania Sarrubba

Reporter, Digital Spy

Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy

Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).