Fate: The Winx Saga has given an exciting update for fans of the fairy supernatural drama.
Inspired by Nickelodeon's Winx Club, Netflix's fantasy teen drama will officially return for season two on September 16.
The announcement was included in a featurette, also giving a glimpse of what the newly-winged Bloom (Abigail Cowen) and the rest of the gang are up to next.
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"We have new villains," Cowen says in the clip, showing footage of the fairies out and about Alfea.
"We have new additions to the school," she continued, also confirming that animated series favourite Flora will finally make her appearance this season, played by Paulina Chavez.
"I'm excited for fans to see her magic," Chavez says in the video.
The character's absence left fans disappointed during the first season, with suggestion Terra (Eliot Salt) was a stand-in for her Latina cousin.
"I think it's really important that we do see [Terra and Flora together] and if we're lucky enough to get a season two that's my greatest hope," Salt told Digital Spy and other outlets at the time.
Related: Fate: The Winx Saga star reveals why they were "upset" by the show's shock finale
Alongside Flora, Fate: The Winx Saga season two will introduce new characters, including Headmistress Rosalind (Good Omens' Miranda Richardson) and Professor Harvey (Daniel Betts) as well as new students Grey, played by Brandon Grace, and Sebastian, portrayed by Normal People's Éanna Hardwicke.
It seems that Grey and Sebastian might have a romantic connection with some of the main characters, though it isn't clear who these might be yet.
"You can expect epic fights and lots of steamy romance," Stella actress Hannah van der Westhuysen confirmed in the clip, teasing some potentially exciting things ahead.
Fate: The Winx Saga season two will premiere on Netflix on September 16. Season one is available to watch now.
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Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
