A first trailer for Ellen Pompeo's Good American Family has been released, giving a sneak peek into the true story behind the thriller series.
Also starring Mark Duplass and Imogen Faith Reid, the eight-episode series fictionalised the adoption of Natalia Grace by Midwestern couple Kristine and Michael Barnett.
The pair initially believe that Natalia is a child with dwarfism, but slowly begin to question this assumption, with Kristine starting to suspect Natalia is, in fact, an adult posing as a little girl.
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Set to start streaming on Hulu on March 19, the series from creator and showrunner Katie Robbins dramatises the most disquieting aspects of the true crime story.
The trailer follows Grey's Anatomy star Pompeo as Kristine as she gradually becoming paranoid about Natalia, while her husband Michael, portrayed by Duplass, appears to dismiss his wife's concerns.
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The clip teases some intense moments where Natalia undergoes tests to assess her real age, with Kristine pointing out she has adult teeth and her results shows signs of puberty that aren't compatible with a child.
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The teaser gets progressively more unhinged as it includes scenes of child services showing up at the Barnett's door and Kristine being advised to lawyer up.
Meanwhile, Michael starts panicking when he realises his wife might've been right all along, and Natalia could be endangering the lives of their other children.
Alongside Pompeo, who also serves as executive producer, Duplass and Reid, the limited series also stars This Is Us's Dulé Hill as detective Brandon Drysdale and XO, Kitty's Sarayu Blue as Valika, a parent of one of the kids at Kristine's daycare, as well as Mad Men star Christina Hendricks as Cynthia Mans.
Good American Family starts streaming on Hulu in the US on March 19. A UK release date is yet to be announced.
Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
