Selling Sunset star Mary Fitzgerald Bonnet has weighed in on those Christine Quinn rumours after the two were spotted together at an event earlier this month.
Mary and her co-stars Nicole Young and Jason Oppenheim had a chance reunion with Christine at a White Fox party on June 7. Pictures of the quartet enjoying their night out were posted to Nicole's Instagram account, making fans hopeful the reunion could lead to Christine making a comeback to the Netflix show.
Speaking about whether Christine could return to the Oppenheim Group, Mary shut down the possibility of a more permanent reunion, though she expressed sympathies for her former co-star going through a divorce.
Related: Selling Sunset fans mistake Bre Tiesi for Christine Quinn following hair transformation
"I feel really, really bad for what she's gone through, and I want her to live her best life," Mary told E! News at the Critics Choice Real TV Awards on June 15.
"I don't think that's gonna happen," she said about Christine appearing on a new season of Selling Sunset.
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Clarifying what happened at the party, Mary said: "We just ran into each other and got a picture, so it kind of got blown up into that she's now coming back."
Related: Selling Sunset's Chrishell Stause lands Netflix movie role
Asked about Christine's return, Jason Oppenheim had a similar response to Mary, saying it wouldn't be just his call to make.
"I think everyone deserves a second chance," he told TMZ.
"I think I would be on board, but that would be a group decision. I would be for it if everyone else was. She's a dynamic woman."
For her part, Christine doesn't seem interested in returning to Selling Sunset, confirming she had no intention to do so as of last year. Answering a fan on social media at the time, she said: "Sorry babe! Moved on to better things & sooo much happier."
Selling Sunset can be streamed on Netflix now.
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Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
