Selling Sunset star Chrishell Stause has got candid about having to replace her "vintage" breast implants after going for an MRI.
The star of the Netflix show explained she went for a body scan and learned her implants were "ruptured" 15 years after getting the procedure.
Taking to Instagram to chronicle her journey, Chrishell wrote: "Earlier this year, I had a full body scan and learned both of my breast implants were ruptured. My first thought was fear, thinking about having to undergo surgery and if the rupture would lead to any complications."
Related: Selling Sunset's Chrishell Stause shares new spoilers for Neighbours role
The celebrity estate agent said she was happy to find a new doctor who could perform the surgery, given that the surgeon who she went to for implants 15 years prior is no longer practising.
Thanking Dr Josef Hadeem, Chrishell said she "had an amazing experience with him and his team".
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"They were able to remove all of the silicone and replace my 15-year old vintage implants," she continued.
"Plastic surgery is a personal choice and I'm in no way encouraging anyone to change anything about their body," she then added.
"If you do make that choice for yourself, it's so important to stay on top of your health – I know many people could be living with this and have no idea."
Related: Selling Sunset's Chrishell Stause reveals "Aussie wedding" to partner G-Flip
Chrishell also said she'd be doing a Q&A session on her social media for everyone who might have questions about her experience.
Meanwhile, Chrishell hasn't been confirmed to return for a possible ninth season of Selling Sunset just yet.
After casting some doubts as to whether she'll be back to The Oppenheim Group for anothe round, it seems that fans will have to wait to see if Netflix renews the show first.
Selling Sunset is available on Netflix.
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Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
