Pitch Perfect's spin-off TV show finally has a release date on Peacock.
Bumper in Berlin is due to premiere on November 11 in the US, while a UK release date hasn't been confirmed yet (via The Wrap).
The show sees Adam Devine reprise the role of Bumper Allen from the franchise. Set a few years after the events of the third movie, released in 2017, the series follows the a cappella singer as he attempts to revive his career by moving across the pond.
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As the title gives away, the former Treblemakers leader relocates to Berlin after one of his songs goes big in Germany. Bumper is invited by Pieter Krämer (Flula Borg), the scary member of Bellas' rival group Das Sound Machine who appeared in Pitch Perfect 2.
His powerhouse days behind, Pieter now works as a music manager and signs Bumper as his sole client following his unexpected success.
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Together with Devine and Borg, Bumper in Berlin also stars Modern Family actress Sarah Hyland as well as Lera Abova and She-Hulk's Jameela Jamil.
Related: Pitch Perfect's Rebel Wilson responds to claims she was 'outed' with new relationship
The series is executive produced by Elizabeth Banks, who starred in the Pitch Perfect series as sharp-tongued commentator Gail Abernathy-McKadden-Feinberger and directed the second film.
"When we saw the opportunity to create a series for Pitch Perfect with [executive producers] Elizabeth Banks, Max Handelman and Paul Brooks plus more earworm classics for super fans to enjoy, we jumped at it," Susan Rovner, chairman of entertainment content for NBCUniversal Television and Streaming, said when the show was announced last year.
"And to top it off, we are so fortunate that Adam Devine is headlining the series and bringing fans the quirky, laugh-out-loud sensibility they loved in the film franchise."
Pitch Perfect: Bumper in Berlin premieres on Peacock on November 11.
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Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
