Two The Voice UK judges have reportedly left their chairs on the talent reality TV show ahead of filming the new series. McFly members Danny Jones and Tom Fletcher have allegedly left the show in their rearview mirror after joining the judging panel last year.
The duo came on board following the axing of judges Olly Murs and Anne-Marie, with Jones and Fletcher becoming the show's first-ever judging pair.
On judging duties alongside Tom Jones, Black Eyed Peas member will.i.am and LeAnn Rimes, Jones and Fletcher filmed series 13 and are now returning for series 14, which has already been filmed and will see Kelly Rowland replacing Rimes.
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However, The Sun reports that despite ITV's best efforts to secure them for one more year, the pair won't be coming back for season 15 of The Voice UK, seemingly due to scheduling conflicts.
"Tom and Danny loved their time on the show, but a full series is a huge commitment," a source told the publication.
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"Tom is back and forth from New York, working on taking Paddington: The Musical over there from London's West End — and he's also in and out of the studio writing the eighth McFly album with Danny.
"As much as they would have liked to return to The Voice, sadly it's impossible."
Digital Spy has reached out to ITV for comment.
Meanwhile, season 15 of the show could be thrown into further chaos if Emma Willis doesn't return on hosting duties after landing the Strictly Come Dancing gig.
Willis, who has been presenting The Voice UK since 2014, will be making the move onto the BBC's dancing competition this September, where she'll be part of the show's new hosting trio together with Johannes Radebe and Josh Widdicombe.
At present, it's unclear whether Willis will return to The Voice UK after hosting the singing competition solo since 2017.
The Voice UK will return for season 14 on ITV1 and ITVX later this year.
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Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
