Mission: Impossible – Dead Reckoning Part One has slightly altered its title ahead of its UK streaming release.
The latest Ethan Hunt outing has dropped "part one" from its title before it hits Paramount+ in the US on Thursday, January 25, and on the streamer in the UK and Ireland on Wednesday, March 27.
The current title for the seventh Mission: Impossible movie is simply Mission: Impossible – Dead Reckoning.
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The new title was announced on Twitter/X, where a post from the franchise's official account shared Dead Reckoning will soon be available to stream.
"Light the fuse. #MissionImpossible – Dead Reckoning comes to @paramountplus on January 25," the post reads.
The seventh movie, which underperformed at the box office, is to be followed by Mission: Impossible – Dead Reckoning Part Two, rumoured to be Tom Cruise's final appearance in the role of Hunt.
Now the title for the first Dead Reckoning movie has been tweaked ahead of its streaming release, could there be a chance the upcoming eighth movie – which is still officially untitled – will have its own title altered in some capacity?
Related: Mission: Impossible 7 director defends controversial death
Mission: Impossible – Dead Reckoning sees Hunt and his IMF team embarking on yet another perilous mission to track down a weapon that threatens all of humanity.
This story goes all the way back to Hunt's past before IMF, with some familiar faces also wanting to get their hands on the weapon.
Meanwhile, the eighth movie is taking its time to land in cinemas. With production halted due to the SAG-AFTRA strike last summer, the next Mission: Impossible adventure will now hit theatres in 2025, having been pushed back by almost a year.
Mission: Impossible 8 is released in cinemas on May 23, 2025.
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Reporter, Digital Spy
Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
